About

I am a Costume Designer and Supervisor working between Eastern aesthetics and contemporary theatrical language.

My practice focuses on silhouette, texture, and the emotional tension created by restraint, ritual, and transformation.

Having training in both China and the United Kingdom, I approach costume as a narrative device—an artifact that carries history, culture, and the psychology of the character. I work across theatre, film, and conceptual design projects, often merging handmade craft with experimental processes.